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Reflecting on “For Each Other”

December 15, 2022

written by Nora James

Myself, my home, my family, my friends, the moss, the plants, the air, the sun & all that encapsulates me. I'm taking care of all things so that when I need it I might be cared for.
Myself, my home, my family, my friends, the moss, the plants, the air, the sun & all that encapsulates me. I’m taking care of all things so that when I need it I might be cared for.
Image Description: A being made up of spiky lines with their eyes closed, holding themselves with their arms, surrounded by stars.

It’s a strange time to focus on care. After two years of trying to care deeply for those around me—both for my friends and family and strangers—I feel worn out. Many people in Chicago are celebrating a return to normal, which in some ways feels like a loss of the care structures we developed: what about the people who can’t return to normal?  

At the beginning of the pandemic, there was a moment when it felt like there was potential for real change in the ways we care for each other. A friend told me that they hoped the feeling that Chicago was in this together would last. For some, the urgency of community care dwindled after restrictions were lifted, but in many ways, the pandemic cast light on how our city cares for each other and how care has been neglected.

At Gallery 400, we wanted to explore how the idea of care has changed since March 2020: the artists in For Each Other, consider care in Chicago and within our UIC community. As a part of the exhibition, we created a response space where UIC students could answer five questions and over the course of the semester, we’ve received dozens of responses.

Image Description: A gray sofa, yellow chair, blue chair, and wooden coffee table are grouped on top of a red rug. The coffee table has stacks of response cards and tubs of pencils on top of it. On the wall above the couch, black text reads, “What are our collective responsibilities to care for each other?” and ¿Cuáles son nuestras responsabilidades colectivas de cuidarnos unos a otros? To the left of the furniture, more black text on the wall reads, “What and where is care in your life?” and ¿Qué y dónde está el cuidado en tu vida? Under this text are many response cards hanging from the wall in a grid.

What are you taking care of?

What are you taking care of? Many of the responses to this question featured a redirection inwards. Artist Latham Zearfoss’ installation, Grant Us Serenity, is a space for taking care of oneself.  “At the moment I’m taking care of myself, which might sound selfish,” reads one response, “but as the youngest in my family and the only son, I have a lot of responsibility now and in the future. I know if I “fail” my family will too.” 

Image Description: Two people lie, facedown, on a plush, aqua carpet. In front of them is a screen showing a blue sky with a few white clouds. The screen is the only light in the space, which is otherwise dark, and casts a blue light over everything. Behind the two people are three tree stumps. 

Lying on the carpet in Grant Us Serenity, listening to the reverberating background noise and staring idly at a screen full of blue clouds, feels selfish too. But I’m trying to intentionally consider my well-being along with everything else. Taking a minute to sit still is the least I can do.

“What are you taking care of?” reframes our expectations—instead of “How are you?” it asks us to consider what’s occupying our thoughts, hopes, and worries. 

What are you taking care of? 

I am taking care of my relationships. Because I'm far from home, I try to put in extra effort to stay connected with my family + friends any way I can
I am taking care of my relationships. Because I’m far from home, I try to put in extra effort to stay connected with my family + friends any way I can.
Image Description: Six ghosts in a group. The two central ghosts are larger, and the smaller ghosts fit around the curves of the larger ghosts.

How will I show up for my community?

The Love Fridge Chicago has been showing up for their community since 2020 by increasing food access across Chicago. A mutual aid organization, Love Fridge places refrigerators and pantries stocked with meals donated by local chefs and restaurants in Chicago neighborhoods. What does it mean to include a mutual aid organization in an art exhibition? Can serving your community be a form of art? I like to think so. Caring for each other provides light and meaning in the same way that art can. 

Image Description: A visitor using a wheelchair and wearing a black mask and black clothes looks at the Love Fridge Chicago installation. In front of them are several bright pictures of Love Fridges around Chicago. Behind them is a wall-sized photograph of the Little Village Love shack on a snowy day. In the front left, diagrams for building Love Fridge shelters hang from metal clamps.

Visitors to For Each Other are showing up for their community in a multitude of ways. Some responses talk about listening to what others need before assuming, while other visitors are inspired to look for organizations doing good in their neighborhoods. Sometimes it feels like the word community is overused to the point of abstraction, but these responses remind us that we can care for our communities in concrete and meaningful ways. 

If you’re interested in showing up for your Chicago community by volunteering with Love Fridge Chicago, check out their website here: ​​https://www.thelovefridge.com/

As a recent UIC Fine Arts Graduate, I am now dedicated to sharing my love, wisdom, patience, + peace through art. I want to give to my community in a way that motivates, uplifts, + inspires others that they already have all they need within them.
As a recent UIC Fine Arts Graduate, I am now dedicated to sharing my love, wisdom, patience, + peace through art. I want to give to my community in a way that motivates, uplifts, + inspires others that they already have all they need within them.
Image description: a heart.

At UIC, I imagine care should look like: 

Real Fake Artists, Inc. is a collective that began in a class at UIC. Artists Jon Aldrich, Eric Perez, Edith Mendez, Jessa Mendiola, Nydia Mendiola, and Angelica Mendoza identified a lack of care in UIC’s Art and Exhibition Hall, which lacks a student lounge. The Stuff is Fake but the Need is Real imagines what a lounge could look like through flat cardboard furniture, painted brightly. Although a small seating area in the basement has been created since the sculpture was first created, Real Fake Artists, Inc. envisions a student lounge made with intention and care.

Image Description: The Art is Fake but the Stuff is Real is a lounge made entirely of two-dimensional furniture, made out of cardboard and brightly painted, including a couch, a coffee table, chairs, a microwave, plants, and two windows looking over Chicago. All the cardboard pieces are painted in perspective, to create an illusion of three-dimensionality.

“At UIC I imagine care should look like…” As the first fully in-person semester since 2019 draws to a close, can we imagine new ways of caring for each other at UIC? What structures of care did the UIC community build while we were learning remotely and how can we take these with us as we move back into the classroom? Responses picture a learning environment where we consider each other’s needs above academics.

Carving out spaces for care is crucial. At such a large university, it is easy to feel lost in the hustle and drive. If you are a UIC art student, consider taking Real Fake Artists Inc.’s survey about creating a lounge in the building here.

Professors & other faculty and staff being sympathetic to students who may need assistance/empathy in matters pertaining to the classroom and beyond. Extend patience and grace.
Professors & other faculty and staff being sympathetic to students who may need assistance/empathy in matters pertaining to the classroom and beyond. Extend patience and grace.

In my life, a fulfilling instance of community care was… 

Artists Liz McCarthy, Lan Tuazon, and their collaborators have been making bowls to help their community. For three years, McCarthy and Tuazon have organized an Empty Bowls fundraiser, a grassroots tradition in which ceramicists create bowls for sale and donate the proceeds to local mutual aid organizations. This November, McCarthy, Tuazon, and the Gallery held a fundraiser with free soup donated by Chicago chefs. 

Image description: A visitor inspects a display of GnarWare bowls while holding a blue and white bowl. The bowls are different colors and sizes, and are arranged on a two-tiered display.

Instances of community care can multiply. Responses to this question demonstrate that when you’ve experienced an act of care, it feels more possible to think about others in the same way. Watching visitors to the gallery buy bowls for themselves and loved ones all semester, I’ve been thinking of stewardship as a form of care. We invest in our communities, and they are there to help us in turn.

If you are interested in purchasing a bowl as a part of the Empty Bowls fundraiser, stop by the Gallery by December 17th or call us to arrange a remote shopping appointment.

During my grad program at my previous school—specifically among the Black people across the program + the greater university.
During my grad program at my previous school—specifically among the Black people across the program + the greater university.

How has the concept of care shifted for you over the last 2-1/2 years due to COVID-19?

Kennedy Healy’s and Marley Molkentin’s series Care highlights some crucial changes the pandemic brought to their lives. In 2020, Kennedy, who is disabled, hired Marley as a part of her care team. These jobs are organized through the state government and include strict restrictions and expectations for what caregivers are and are not allowed to do. COVID heightened Kennedy’s health risk. If one of her care team was sick they could potentially get the rest of the team sick as well, endangering Kennedy’s care. 

Image description: Two visitors examine Kennedy Healy and Marley Molkentin’s Care series. In the photographs in front of them, Kennedy and Marley enact parts of their daily routine. Behind the visitors, Kennedy and Marley’s Vanity installation is visible. 

Inspired by conversations with Marley about her photojournalism degree, Kennedy suggested that they take a series of photographs together documenting their relationship. These photographs show a beautiful interdependency of care. You can tell that Marley and Kennedy are not just in a professional relationship, dictated by the rules of the Illinois personal assistant system, but also care for each other on a personal level.

“How has the concept of care shifted for you over the last 2 1/2 years due to COVID-19?” This is the big question, the one that started our thinking about care in the first place. There’s no  straight answer. Many people responded that they consider their own and others’ mental health in a way they hadn’t previously. Others shared that they have come away from the pandemic feeling apathetic and disconnected by the ways we could have committed to change but didn’t. Some people expressed a mixture of hope and sadness. 

For me, before the pandemic I wasn't as concerned for other's mental health and well being. I assumed everyone was ok b/c on the outside they looked okay. But now, I know that everyone struggles with something, and we need to be accepting and willing to help others whenever they need us, and however they need us.
For me, before the pandemic I wasn’t as concerned for other’s mental health and well being. I assumed everyone was ok b/c on the outside they looked okay. But now, I know that everyone struggles with something, and we need to be accepting and willing to help others whenever they need us, and however they need us.
Image description: A smiley-face in the upper right corner.

As For Each Other winds down, I’m reflecting on how my personal concept of care has shifted, not just since March 2020, but since the beginning of the semester. The exhibition, and the responses we’ve received, are a vital reminder to take a moment and lean into the softness of caring, for ourselves and for each other.