LORELEI STEWART, DIRECTOR
Lorelei Stewart, Director of Gallery 400 since 2000, has organized over 40 exhibitions, including the Joyce Award-winning exhibition Edgar Arceneaux: The Alchemy of Comedy … Stupid (2006). In 2002 she initiated the acclaimed At the Edge: Innovative Art in Chicago series, a commissioning program that encouraged Chicago area artists’ experimental practices. She holds an MA in Curatorial Studies from the Center for Curatorial Studies at Bard College, a BA from Smith College, and a BFA from Corcoran College of Art and Design.
DENNY MWAURA, ASSISTANT DIRECTOR
Denny Mwaura is the Assistant Director of Gallery 400, UIC. Exhibitions and public programs he has organized and supported include Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art (2021), A Species of Theft (2022), and Crip* (2022) at Gallery 400; Malangatana: Mozambique Modern (2020) and Igshaan Adams: Desire Lines (2022) at the Art Institute of Chicago; Madeleine Hunt-Ehrlich: Speculative Archives (2021) and Wong Ping: Digital Fables (2021) at Conversations at the Edge. He received his MA in Modern and Contemporary Art History from the School of the Art Institute of Chicago and was the 2021 recipient of the Schiff Foundation Fellowship for Critical Architectural Writing, an award granted by the Dept. of Architecture and Design at the Art Institute of Chicago.
Artie Foster is a PhD student at the University of Illinois at Chicago, studying modern and contemporary art history, with a focus on the arts of the Black Atlantic in the mid-20th century. He has previously presented his work at the George Washington University Art History Graduate Symposium, the UIC In/Between Conference, the 2022 Tufts University symposium Beyond Borders, and the 2022 Midwest Art History Society conference. His research has been supported by the UIC Art History Fellowship, Art History Travel and Research Award, and the Provost’s Graduate Research Award. He also co-curated 6.13.89: The Canceling of the Mapplethorpe Exhibition, at the Corcoran Gallery of Art in Washington, D.C., and Networks of Resistance at the Co-Prosperity Sphere in Chicago.