Voices: Tiona Nekkia McClodden
I Prayed To The Wrong God For You
Date: Tuesday, November 5
Location: Gallery 400 Lecture Room
Lecture title: I Prayed To The Wrong God For You
Tiona Nekkia McClodden will unpack the notion of 'chronos vs kairos' in relation to her work over the past year with a close reading of her latest work I prayed to the wrong god for you, 2019 filmed across the United States, Cuba, and Nigeria. The multi-channel work combines video and sculptural elements in a highly personal ritual dedicated to Shango, a deity or Orisha within the Afro-Cuban religion Santería/Lucumí whose origins can be traced to the Yoruba people of Nigeria. In this body of work McClodden merges her spiritual requirements as a priestess of Ogun and artistic work to repair a period of personal exhaustion.
Tiona Nekkia McClodden [she/her] is a visual artist, filmmaker, and curator whose work often employs a citational practice exploring and critiquing issues at the intersections of race, gender, sexuality and social commentary. Her interdisciplinary approach traverses documentary film, experimental video, sculpture, and sound installations. McClodden has exhibited and screened work at the Institute of Contemporary Art-Philadelphia, the Museum of Modern Art (New York); the Whitney Museum; MOCA LA; MCA Chicago; MoMA PS1; among others. She has been awarded the 2019 Bucksbaum Award. McClodden was chosen from among the seventy-five artists whose works are being presented in the 2019 Whitney Biennial. McClodden has been awarded the 2019 Guggenheim Fellowship in Fine Arts, the 2018–19 Keith Haring Fellowship in Art and Activism, the 2017 Louis Comfort Tiffany Foundation Award and the 2016 Pew Fellowship in the Arts in Philadelphia, PA, among other awards. McClodden curated the traveling exhibitions A Recollection. + Predicated. featured within Julius Eastman: That Which is Fundamental, and more recently There Are No Shadows Here: The Perfect Moment at 30 featuring the works of George Dureau and D’Angelo Lovell Williams. She lives and works in North Philadelphia, PA.
At Gallery 400, we strive to continually increase the accessibility of our physical space, exhibitions, and programs. Through growing relationships with partners at UIC and the wider disability community in Chicago, we strive to integrate creative access measures into our exhibition and program planning from the outset. We will continue to work transparently with individuals and organizations to improve our institutional practices and create spaces that are accessible to all. We welcome any feedback or ideas that you may have.
Gallery 400 is located on the first level of the Art & Exhibition Hall building with a push-button accessible door and can be accessed by a set of stairs with a railing or an elevator (Level 1R). If there are any barriers to entry on the day of the event, we will post updates through our social media channels.
There are two all-gender restrooms located on the same floor as Gallery 400. While the restrooms are accessible to wheelchair users, the door to the restroom is not. Visitors who use wheelchairs can request personal assistance with opening and closing the restroom doors by asking any Gallery 400 staff member.
The entrance to the building is located in a turn-around where visitors may be dropped off right outside the main door. The closest UIC public parking lot is the Harrison Street Parking Structure. Further information regarding parking on campus can be found at UIC Parking Services. Motorist assistance is available 24 hours a day, 7 days a week, by calling 312.355.0555.
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