Portal: online screening – Fall Schedule
In response to our physical space being closed due to the pandemic, Gallery 400 developed the Portal Online Screening series, featuring work by artists who have previously exhibited at the Gallery. Each work is streamed on our website for two weeks. Over ten artists have been featured so far, including Maria Gaspar, Zakkiyyah Najeebah, Yoshua Okon, and Rami George.
We are pleased to announce our Fall screening schedule which runs from September 14 to December 13.
The works can be accessed on the Exhibitions section of our website during the screening periods outlined below: https://gallery400.uic.edu/exhibitions/
Monday, September 14 – Sunday, September 27
Guy Ben Ner,
Foreign Names, 2012
Single-channel video, 4:49 minutes
Foreign Names focuses on worker displacement in a compilation of video clips from Aroma, an Israeli coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.
Welcome to America
Monday, September 28 – Sunday, October 11
Welcome to America
Single-channel video, 2:31 minutes
Welcome to America explores brutality against immigrants in US detention after Sept 11, 2001. Made before the revelations at Abu-Ghraib, the work uses images released by the Department of Justice showing some of the violent handlings of immigrants in the Metropolitan Detention Center in Brooklyn. A child repeats some of the racist, xenophobic and threatening epithets that were shouted at the detainees as their faces were shoved into a shirt with an American flag on it. In the background is a recitation of the Pledge of Allegiance by school children.
Long Story Short
Monday, October 12 – Sunday, October 25
Long Story Short, 2016
In Long Story Short, over 100 people at homeless shelters, food banks, adult literacy programs, and job training centers in Northern and Southern California discuss their experiences of poverty, with the resulting interviews edited together in Bookchin’s signature polyphonic, multi-channel style. She writes: Even while the film uses some tropes of online participatory culture, including the first-person narrative, the webcam, it also, through its tempo and use of quietness, suggests a refusal. It points to an interiority that we don’t have access to. It suggests that some things remain unspoken, that narrators decide on what to reveal and to withhold.’
Monday, October 26 – Sunday, November 8
Short for ‘Jane Goes 3D’, JG3D is an early experiment in 3D animation by new media artist Jane Veeder. According to Veeder: [JG3D]interprets my creative evolution from video art through 2D to 3D computer animation, integrating elements of personal history with theoretical issues relating to the current aesthetics of 3D computer animation. Elements such as computer graphics “realism”, platonic ideals about the truth and beauty of numbers, and the mystique of digital power are mythologized into a cartoonish concrete form and combined with an autobiographical, creative techno-history to produce a zero-gravity 3D animated theme-park ride.
Sky Lapis; Desert Rose
Monday, November 9 – Sunday, November 22
Sky Lapis, 2018
4K animation, 5:59 minutes
Desert Rose, 2016
4K animation, 33:33 minutes
Sara Ludy is an Chicago-based artist working in a wide range of media including video, sound, animation, VR, AR, websites, audiovisual performance, sculpture, painting, photography, and installation. Through an interdisciplinary practice, hybrid forms emerge from the confluence of nature, architecture, abstraction, and the unconscious; reflecting an uncanny presence that questions our relationship to immateriality and space.
We Know What Is and Is Not
Monday, November 23 – Sunday, December 13
We Know What Is and Is Not, 2019
3 channel video, 2:54 minutes
We Know What Is and Is Not is based on the fictionalized life of Sneha Anne Phillip, an Indian-American woman who went missing in NYC on the night before 9/11. Exploring the surreal experiences of women who lead transcultural lives, Bahl’s practice recontextualizes and reimagines these (factual and fictional) narratives while addressing the specific cultural histories in which they are rooted.