Let Me Be an Object that Screams

Curated by Matt Morris

Exhibition Checklist

Terry Adkins
Tonsure, 2010
Medicine ball, fur, and books, 21 x 14 x 13 in.
Courtesy The Estate of Terry Adkins

Nayland Blake
October Chain, 2007
Metal, glass, plastic, wood, and beads, 15 ½ x 11 x 12 in.
Courtesy Matthew Marks Gallery

Spirit of ’69, 2013
Painted wood, metal, vinyl, fabric, and plastic, 116 x 32 x 15 in.
Courtesy Matthew Marks Gallery

Untitled, 2007
Painted wood, steel, aluminum, felt, glass, synthetic flowers, fabric, and coral, 74 ¼ x 37 x 37 in.
Courtesy Matthew Marks Gallery

Anna Campbell
“I have nothing to declare but my genius,” said Oscar Wilde to the customs agent., 2017
Bronze, each approximately 8 x 6 x 3 in.
Courtesy the artist

Nona Faustine
From Her Body Came Their Greatest Wealth, Wall Street, 2013
Archival pigment print, 30 x 40 in.
Courtesy the artist

Lenapehoking, Borough Hall, 2017
Archival pigment print, 30 x 40 in.
Courtesy the artist

Over My Dead Body, Tweed Courthouse, 2013
Archival pigment print, 30 x 40 in.
Courtesy the artist

Legacy of Lies Jefferson Memorial, 2016
Archival pigment print, 30 x 40 in.
Courtesy the artist

Jeff Gibson
Untitled (bread, air intakes, bearings; donuts, bicycle seats, blue pumps), 2015
Inkjet print on plastic signage, 44 x 25 x 4 in.
Courtesy the artist

Untitled (excavator buckets, heavy machinery, massage tables; exotic fruit, inflatable boats, hearing aids), 2015
Inkjet print on plastic signage, 44 x 25 x 4 in.
Courtesy the artist

Untitled (helmets, knife sets, utility knives; electric razors, paint brushes, scrubbing brushes), 2015
Inkjet print on plastic signage, 44 x 25 x 4 in.
Courtesy the artist

Untitled (lawn mowers, loafers, jetskis; massage chairs, tricycles, strollers), 2015
Inkjet print on plastic signage, 44 x 25 x 4 in.
Courtesy the artist

Untitled (nuggets, shoe trees, red meat; red sunglasses, headlights, taillights), 2015
Inkjet print on plastic signage, 44 x 25 x 4 in.
Courtesy the artist

Jennifer Chen-su Huang 
goo goo too, 2017
Medicine ball, fur, and books Installation with wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar, the irregularities of the floor, dimensions variable
Courtesy the artist

Thomas Huston
Fort/Da, 2015/2017
Drywall, one quart gallery white paint, drop cloth, inkjet print, graphite, 96 x 48 x 24 in.
Courtesy the artist

Blanket 4 [Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./ Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-Lock and bike rack; Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./ Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-Lock and bike rack; Jennifer Chen-su Huang, goo goo too, 2017, wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar and the irregularities of the floor], Blanket 5 [Gary LaPointe Jr., polished tire, polished nail, 2015, popped car tire, wax; Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Lauren Yeager, Untitled, 2016, shipping pallets, wood, plastic wrap; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (3 of 5); Leonard Suryajaya, Gap, 2015, Archival inkjet print], Blanket 6 [Gary LaPointe Jr., milk crate, 2015, cut found milk crates, 1of 64; Noel Madison Fetting-Smith, Shelves of Knowledge, 2014-16, Accumulated Knowledge in Books, Unused Wood from Knowledge Lab, Indicators of Knowledge Status, Cost: $32,000 (Current Student Loan Debt); Kelly Lloyd, for Just Business Agency, 2017, office dictionary/thesaurus set; Arnold J. Kemp, SCULPTURE (the history of), 2012, artist’s cast aluminum figurine, exhibition announcement (Gagosian Gallery), cardboard shipping box and ceramic sculpture (Matthew Marks Gallery)], Blanket 9 [Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; Kelly Lloyd, for Just Business Agency, 2017, desk; Kelly Lloyd, for Just Business Agency, 2017, decorative office art (flower photograph); Oli Rodriguez, The Markings Project (breathplay), 2013, Archival inkjet print], Blanket 10 [Rocío Azarloza, Mlejnas, 2016, cement, rebar, glass, water, and light; Kelly Lloyd, Neighborhood Bars, 2016, vinyl; Arnold J. Kemp, WHEN WILL MY LOVE BE RIGHT, 2013, galvanized welded and riveted steel, brass, copper and seashell], Blanket 17 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric, Arnold J. Kemp, IN BLACK AND WHITE SPACES WE CAN’T LOSE OUR LOSS, 2013, handmade suede boots, seashells and welded steel], Blanket 18 [Jeremy Pellington, Good Commentary, 2016, video, steel studs, wood, fabric; Houff Foundation, Temporary Ohio Branch, Home Office, 2016; James Quarles, protecting and serving, acrylic on plywood, 2016; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (4 of 5);Leonard Suryajaya, Round Table Conference, 2016, Archival inkjet print], Blanket 22 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools); Kelly Lloyd, Neighborhood Bars, 2016, vinyl; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (4 of 5); Oli Rodriguez, Child’s Large (leather dress), 2013, Archival inkjet print], Blanket 23 [Noel Madison Fetting-Smith, Residual Matter, 2016, Underutilized Desk and Chairs from Chicago Public Schools, Utilized Emerald Ash, Cotton Rope, Concrete, Dislocated Axe Head, Embedded Stake, Mig Welding Wire, Cost: $6.2 Billion (Current Debt of Chicago Public Schools), Arnold J. Kemp, WHEN WILL MY LOVE BE RIGHT, 2013, galvanized welded and riveted steel, brass, copper and seashell], Blanket 27 [Elizabeth Van Loan, Untitled, 2016, water, container, pigment; Gary LaPointe Jr., stolen black bike, stolen black bike rack, 9.30.2014-10.11.2014. W. North Ave./ Claremont Ave. CHI. IL. USA, 2014, bike frame, chain, U-Lock and bike rack; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (1 of 5); Jennifer Chen-su Huang, goo goo too, 2017, wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar and the irregularities of the floor], Blanket 30 [Elizabeth Van Loan, Untitled, 2016, water, container, pigment; Kelly Lloyd, for Just Business Agency, 2017, desk; Leonard Suryajaya, Candyman, 2016, Archival inkjet print], Blanket 31 [Derrick Woods-Morrow, Monolith I - What if none of them gives you the universe?, 2015, sculpture: glass and cement; Kelly Lloyd, for Just Business Agency, 2017, comfy chair (2 of 5); Kelly Lloyd, for Just Business Agency, 2017, decorative fake tree; Jennifer Chen-su Huang, goo goo too, 2017, wooden bead, wire, styrofoam packing peanut, porcelain cast AA battery, heat press printed pillows, twig, moss, ceramic fragment with cotton pulp, porcelain cast clown nose, wood devoured by bark beetle, ceramic fragments, extruded clay tubes, beet juice stained birch plywood, birch plywood stool, ear plugs, scratched CD, textile loop magnifier, rock, tiny broom made of human hair and clay, graphite on mylar and the irregularities of the floor], Blanket 37 [Derrick Woods-Morrow, On Tuesday, October 12, the room was red, 2016, mixed media: multiple pigment prints, letterpress mounted between glass with wooden frame, plants, faux terra cotta planter; Leonard Suryajaya, Familial, 2016, Archival inkjet print], 2017
Thirteen standard moving blankets, dimensions variable
Courtesy the artist

E. Jane
E. the Avatar (Ep. 1-7) and Commercials 2-3, 2015
Digital video, 12:08 min. loop
Courtesy the artist

Item No. 12, 2015
Print on tissue nylon bag
Courtesy the collection of Matt Morris and Eric Ruschman

Item No. 23, 2015
Print on poly twill dress
Courtesy the collection of Matt Morris and Eric Ruschman

Arnold J. Kemp
IN BLACK AND WHITE SPACES WE CAN’T LOSE OUR LOSS, 2013
Handmade suede boots, seashells, and welded steel, 9 x 20 x 20 in.
Courtesy the artist

SCULPTURE (the history of), 2012
Artist’s cast aluminum figurine, exhibition announcement (Gagosian Gallery), cardboard shipping box, and ceramic sculpture (Matthew Marks Gallery), dimensions variable.
Courtesy the artist

WHEN WILL MY LOVE BE RIGHT, 2013
Galvanized welded and riveted steel, leather, brass, copper, and seashell, 26 x 25 x 40 ½ in.
Courtesy the artist

Isabelle McGuire 
3 Women, 2016-2017
Digital video, 3:56 min. loop
Courtesy the artist

Love Me Harder, 2015
Digital video, 12:15 min. loop
Courtesy the artist

Catalina Ouyang
Arsenic, Love, 2016
Glass vials, realgar wine, dye, water, blue contact lenses, dimensions variable
Courtesy the artist

medusa, 2016
Extruded polystyrene, plaster, ground Paxil, oil paint, marble dust, bodychain, blue colored contact lens, 22 x 11 x 7 in.
Courtesy the artist

method of palm, 2016
Extruded polystyrene, plaster, steel, oil paint, water, dimensions variable
Courtesy the artist

The Snake, 2017
Epoxy clay, dimensions variable
Courtesy the artist

the reprisal of Marco (Pedestals), 2017
Performance and video documentation
Courtesy the artist

Puppies Puppies
Sauron (Bataille Solar Anus), 2016
Digital video, 1:14 min. loop
Courtesy Balice Hertling

Oli Rodriguez
Child’s Large (leather dress), 2017
Archival pigment print, 20 x 30 in.
Courtesy the artist

The Markings Project (breathplay), 2015
Archival pigment print, 20 x 30 in.
Courtesy the artist

Oli Rodriguez and Jovencio de la Paz
"I want something more than my husband and my house", 2015
Digital video, 3:19 min. loop
Courtesy the artist

Leonard Suryajaya
Candyman, 2016
Archival inkjet print, 40 x 50 in.
Courtesy the artist

Familial, 2016
Archival inkjet print, 42 x 54 in.
Courtesy the artist

Gap, 2015
Archival inkjet print, 20 x 25 in.
Courtesy the artist

Round Table Conference, 2015
Archival inkjet print, 36 x 45 in.
Courtesy the artist

Chocolate Beard, 2014
Digital video, 3:08 min.
Courtesy the artist

Lesser Than Three, 2016
Digital video, 7:38 min.
Courtesy the artist

Rupa, 2015
Digital video, 8:09 min.
Courtesy the artist