Fall 2002 Events

Charles La Belle

Voices: Charles LaBelle

Lecture

Tuesday, November 26, 2002 – 5:00PM to 7:00PM

Los Angeles critic Christopher Knight has written, "Charles LaBelle finds surpirsing ways to skin a perceptual cat. [His] photographs, drawings, and sculpture all pay attention to the rewards of ac...

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Cornelia Butler

Voices: Cornelia H. Butler

Lecture

Monday, November 11, 2002 – 5:00PM to 7:00PM

WACK! Art and the Feminist Revolution, an exhibition Cornelia H. Butler is curating for 2005, will be the first comprehensive museum survey of international feminist art. Diverse, radical, and frac...

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Dan Peterman

Voices: Dan Peterman

Lecture

Monday, November 4, 2002 – 5:00PM to 7:00PM

Dan Peterman's  projects situate themselves at an intersection of ecological modes of perception and numerous strategies of artmaking. Though often focused on materials and processes that conv...

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Lane Relyea Head Shot

Voices: Lane Relyea

"Is There a Place for Painting In (Or Outside of) Today's Art Leviathan?"

Lecture

Monday, October 28, 2002 – 5:00PM to 7:00PM

Behind the recent return to sixties painting lies an ambivalent fascination with that moment just before the rise of today's art system, and with how coherence in art was achieved back then—through...

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Alex Shakar

Voices: Alex Shakar

Lecture

Wednesday, October 23, 2002 – 5:00PM to 7:00PM

"Go out there" Ursula's mysterious new boss instructs her. "Find the future. Bring it back to me." Diet water, white contact lenses, high-heeled moccasins, tire-tread haircuts, zydeco rap, poodles ...

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Sergio Vega

Voices: Sergio Vega

Lecture

Tuesday, September 17, 2002 – 5:00PM to 7:00PM

Sergio Vega's most recent work Modernismo Tropical stems from his investigation in Brazil of a 17th century theory that the Garden of Eden was located in South America. Modernismo Tropical elabor...

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Erwin Wurm

Voices: Erwin Wurm

Lecture

Wednesday, September 11, 2002 – 5:00PM to 7:00PM

Noted Austrian artist Erwin Wurm (born 1954) has been preoccupied since the 1980s with expanding the concept of sculpture to include the momentary, not merely the static. He frequently invites volu...

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